The Decision Model For An Acronym - 1284 Words

In the decide model each letter stands for an acronym that will make it easier for someone to make a decision. The D in the decision model stands for â€Å"define the decision,† this helps the individual realize what information they will need in order to make the decision. For example, what background information is needed and how will that information be used in making the decision. For my family, the decision that was made was to send my brother and me off to college; so we can help our parents out when they grow older, and cannot work any more. The E stands for â€Å"estimating the resources needed†. How much energy, time, money, and information will be used in making the decision. My parents had to estimate the amount of time and money that they would be spending in order to send my brother and me off to college. C stands for â€Å"consider the alternatives.† One wants to consider all of the alternatives they have, yet they have to consider the resources tha t are practical for them because of cost and time. My parents had to consider the alternatives about not sending us off to college. My brother and I did not a have to attend college. We could have found decent jobs instead that had benefits and could have help support my parents. However, finding a job like that now with out a college degree is hard to come by. The I in the model represents â€Å"imagine the consequences of alternative course of action.† This means that the person who is making the decision should think of himself orShow MoreRelatedSpanish National Health System Case Study878 Words   |  4 Pagesof the so-called Welfare State, the Spanish National Health System (SNS, in the Spanish acronym) was not reached until the end of the Franco dictatorship, emerging with a significant delay compared to other European countries. At the full swing of the Spanish transition, with the Spanish Workers’ Socialist Party (PSOE) in government, Spain approved the Gener al Health Act 1986 (GHA) inspired in Beveridge’s models: universal access, free at the point of delivery and tax-financed health system. HoweverRead MoreMedical Acronyms Allow People In The Healthcare Industry1606 Words   |  7 PagesMedical acronyms allow people in the healthcare industry to communicate more efficiently by assigning â€Å"nicknames,† or abbreviations, to processes, procedures and organizations. Although there are hundreds of acronyms and medical terms used every day in medical care, these 24 are important to every modern practice, if you want to take advantage of incentives and resources available to your organization. 1. ACO An Accountable Care Organization is a practice or facility committed to improving patientRead MoreJohn Boyd And His Influence On Strategic Thinking1258 Words   |  6 Pagesleadership cycles, advancing vulnerability and turmoil, were all either imagined, re-found or motivated by Boyd. 2.3 John Boyd’s Discourse To succeed and grow in a diverse uncertain and constant changing world that surrounds us, we need to make decisive decisions ourselves those many practices we have to meet the exigencies of that world. The discourse thus consists of 5 sections:- 1. Pattern of Conflict consists of thoughts and actions for winning and losing in a very competitive environment. 2. TheRead MoreWhat Does The Acronym Stand For Each Of The Following Basic Types Of Cloud Services?840 Words   |  4 Pages INFO-1167 Cloud Lab Alexander Farquhar 1. What does the acronym stand for each of the following basic types of cloud services? In addition, write a definition for each type using information sourced from the Internet. a. SaaS – Software as a Service – Users on the service are given access to the application’s software and databases, cloud providers manage the infrastructure and platforms that run the application. â€Å"On demand†. b. PaaS – Platform as a Service – Cloud providers deliver a platformRead MoreHow Do Employees Make The Choices That Take Them1139 Words   |  5 Pageswell done. I would say I am motivated a little by both. While it does feel good to complete a task it is also nice to be noticed for doing so and to sometimes receive a reward for it also. 3. Identify and explain the acronym for goals in goal setting theory. The acronym is S.M.A.R.T. goals. This stands for specific, measurable, achievable, results-based, and time-sensitive. The S.M.A.R.T. goals were created to help employees to achieve their goals in the workplace. Employees define whatRead MoreThe Importance Of A Consumer Centric Approach1500 Words   |  6 PagesOrientations also called as Consumer Centric Approach which aims to put consumers at the heart of business, all activities of the organizations must base on customers. Managers will take account into the needs and wants of consumers before making any decisions. As customers had become more knowledgeable, therefore, most markets are moving towards a more marketing orientated approach. This essay aims to outline and explore the importance of a Consumer Centric Approach in Marketing, this paper will separateRead MoreVolkswagen Of Americ Business Process, Technology, And Organization1038 Words   |  5 PagesVW of America 1. Define acronyms BPTO, DBC, ITSC, PMO, NRG and explain. Elon Musk could not have worked at VW of America because of all the acronyms they use! VW of America (VWoA), however, fully impressed the acronyms and created many. Here are some of the most important ones: ï‚ · BPTO = Business Process, Technology, and Organization. It was created by Matulovic when he came to VWoA from VWAG. Which is a group that will help govern development processes and help clarify what the projects aim to achieveRead MoreSuccess On The Internet Is All About Successful Marketing1043 Words   |  5 Pagesday training session on the proper sequence theory. The AIDA model that was taught during that session was a simple process, however, in my business career, this program has been very effective and profitable for me personally. Wikipedia...the free encyclopedia states: AIDA is an acronym used in marketing that describes a common list of events that are very often undergone when a person is selling a product or service. The AIDA model guides organizations by reminding them that any successful promotionalRead MoreBusiness Analysis : Jd s Graphics Design1259 Words   |  6 Pages create models, apply techniques and use everything collected to share with our business partners and consumers. The information collected will be very useful to the success of the firm, results will be used for business decisions, future growth and planning. Part two will take us through how we will implement the changes, possible systems and data collection program changes, forecasting the future, and statistical analysis of our results as they show improvements to previous decisions. BenefitsRead MoreCase Study : Near Miss. Business Case1345 Words   |  6 PagesNear Miss Business Case Version 1.0 Revision History Date Version Description Author 06/27/14 1.0 Near Miss Sindhu Atluri Table of Contents 1. Introduction 3 1.1 Purpose 3 1.2 Scope 3 1.3 Definitions, Acronyms and Abbreviations 3 1.4 References 3 1.5 Overview 3 2. Product Description 4 3. Business Context 4 4. Product Objectives 4 5. Financial Forecast 4 6. Constraints 4 Business Case 1. Introduction Accidents occur suddenly and unexpectedly. We cannot prevent the occurrence

A Little Bit Of Politics And A Whole Lot Of Race - 982 Words

A Little Bit of Politics and a Whole lot of Race Anna Deavere Smith is arguably the most talented docudrama performer of her time and has constructed many great plays such as House Arrest, Twilight: Los Angeles, and Fires in the Mirror. Her docudramas seek to speak the voices of the unheard in order for her audience to have a broad understanding of different perspectives on major events throughout history. She does this by interviewing a large number of people that come from different racial backgrounds and social classes who were involved in a stressful event, generally regarding racial or political unrest. Anna Deavere Smith’s work seeks to identify the reactions of citizens when placed in socially uncomfortable situations, express the disadvantages and hardships that minorities have to endure throughout the country, and question the roles of authority regarding political leaders and police officers. Americans have always struggled with expressing appropriate reactions when they feel uncomfortable or out of control of a situation. Smith expresses this idea in the interview titled â€Å"Lousy Language† beginning with the speaker, Robert Sherman, explaining in a very politically correct manner that â€Å"the Crown Heights conflict had been brewing on and off for twenty years† (73). He went on to provide statistics and define the concepts of racism, prejudice, and discrimination. He concluded with the statement â€Å"I think we [Americans] have sort of a lousy language on the subject andShow MoreRelatedCharacteristics Of Romantic Poetry By William Blake1051 Words   |  5 PagesThis brought on the change in how genders, races, and different classes were viewed. Less people participated in their culture s traditions and authority was not as important to follow as it was before. The Romantics chose to reflect more on themselves and others which led Romantic poetry to develop into such a creative and meaningful kind of literature. William Blake was the person who started the Romantic Period. When he was younger, he read a lot, and started to write at the early age of thirteenRead MoreWhen You Think Of The Word Democracy You Think About A1382 Words   |  6 PagesWhen you think of the word democracy you think about a politics. I am not a fan of politics at all but when someone says democracy, I think of a system of government that the population votes in a candidate through elected representatives. The schooling system does a good job noftying children that their vote counts. These are the rights that everyone has to fight about because they are very important. People always fight for the right to vote and their voice to be heard. The word democracy justRead MoreDifferent Views On Politics, Religion, Or What s Best You Do On Your Free Time?1569 Words   |  7 Pagesa few differences. Both places are rather nice compared to other places in DeWitt and in my mind a lot better than living in a crowded and hectic city like Davenport or Clinton even. Different places bring different views on politics, religion, or what’s best to do on your free time. Iowa is definitely more similar throughout the state than maybe any other state besides maybe Alaska, as far as race goes. As we go on we will figure out together the big differences and the shocking similarities. DrivingRead MoreSummary Of Dinner Party Economics Written By Eveline990 Words   |  4 PagesMacroeconomics and the factors of that. Back in chapter one, one of the ideas was that size is not the issue. It does not matter really how big, small or wealthy a market is, it is about â€Å"many different markets interacting with each other as a whole† (page 4). I think that is very true that no matter the size or wealth of a market, policy will still be taking place. In chapter three, it discusses the measures of life, liberty and the pursuit of happiness (page 17). It considers how we can measureRead MoreBob Marley: His Music, His Words, His Legacy Essay1519 Words   |  7 Pagestheir guilty pleasures, and soon there would be a price to pay. During the late 60s and early 70‘s, reggae music was created by combining the characteristics of the North American rock and African Jamaican music. This new style had a lot of influence from rhythm, the blues, and some jazz. Though the textbook Americas Musical Landscape the author Jean Ferris states that, the polyrhythms are more complex, the bass lines are stronger, and the tempos more relaxed (Ferris pRead MoreHunger in Sub-Saharan Africa: The Astonishing Truth Behind Starvation1717 Words   |  7 Pagesminute, when a measles vaccine cost less than $1. (WHO, World Health Organization) Things are moving in the wrong direction, says Marc Cohen (International Food Policy Research Institute (IFPRI) Washington). If we look at sub-Saharan Africa as a whole, all the projections are that poverty and hunger are going to get worse. There are 31.1 million food-deprived masses, scattered across the region surrounding Ethiopia, and elsewhere. (The Christian Science Monitor, August 1, 2005) These shockingRead MoreNineteen Reasons Why By Jay Asher1710 Words   |  7 Pagesto pursue a writing career, he had a total of eleven manuscripts submitted to publishers which ended up all being rejected. He soon worked as an assistant children’s librarian and as a bookseller, he got inspired to write Thirteen Reasons Why from a lot of young adult fiction novels which was soon to become a well-known novel. The novel is about suicide and it includes other mature content, this means that it is on the line of being challenged or banned. Banned books is a common topic that constantlyRead MoreIndia s National Language, Pakistan1452 Words   |  6 Pagesnonsensical phrase, â€Å"Uper the gur gur the annexe the bay dhayana the mung the dal of the laltain.† No one could understand what the gibberish meant but it may be the message Manto tries to display, that the partion is nonsense. From the story we learn a little bit about Bishan’s family and his background, we find that Bishan’s family had brought him to the asylum bound and fettered, and when he first came to the asylum he had left an infant daughter who had now turned into a beautiful girl, she would comeRead MoreThe Role Of Women During The Enlightenment And Transcendental Period1637 Words   |  7 Pageswrote during the Transcendental Era when women were told that they were needed in religious revivals just as much as the men were. They were also needed in the home, like before, but possibly needed in the movement to achieve peace and a bl issful human race. Women were also encouraged to take their fate in their own hands and told that just like men they were just as capable of being educated and depending on themselves. Rowson expressed her roles of women in a very dark, factual attitude, while FullerRead MoreThe First Name Of The Child1574 Words   |  7 Pagesspeaking countries but is of Arabic, Spanish, and Swahili origins† (Name Yamile, 2013). Yvelisse’s mother’s last name is Rodriguez while her father’s last name is Garcia de Luz. When her parents got married, her mother dropped her last name. Yvelisse’s race/ethnicity is Cuban as both her parents were born in Cuba. Her father was born in the early 70s in the capital city as known as Havana, and her mother was born in the mid-80s in Santiago de Cuba, the second largest city. Yvelisse was conceived in Havana

Bag of Bones CHAPTER TWENTY-ONE Free Essays

string(23) " Bricker place to Mrs\." I was walking north along The Street. Japanese lanterns lined it, but they were all dark because it was daylight bright daylight. The muggy, smutchy look of mid-July was gone; the sky was that deep sapphire shade which is the sole property of October. We will write a custom essay sample on Bag of Bones CHAPTER TWENTY-ONE or any similar topic only for you Order Now The lake was deepest indigo beneath it, sparkling with sunpoints. The trees were just past the peak of their autumn colors, burning like torches. A wind out of the south blew the fallen leaves past me and between my legs in rattly, fragrant gusts. The Japanese lanterns nodded as if in approval of the season. Up ahead, faintly, I could hear music. Sara and the Red-Tops. Sara was belting it out, laughing her way through the lyric as she always had . . . only, how could laughter sound so much like a snarl? ‘White boy, I’d never kill a child of mine. That you’d even think it!’ I whirled, expecting to see her right behind me, but there was no one there. Well . . . The Green Lady was there, only she had changed her dress of leaves for autumn and become the Yellow Lady. The bare pine-branch behind her still pointed the way: go north, young man, go north. Not much farther down the path was another birch, the one I’d held onto when that terrible drowning sensation had come over me again. I waited for it to come again now for my mouth and throat to fill up with the iron taste of the lake but it didn’t happen. I looked back at the Yellow Lady, then beyond her to Sara Laughs. The house was there, but much reduced: no north wing, no south wing, no second story. No sign of Jo’s studio off to the side, either. None of those things had been built yet. The ladybirch had travelled back with me from 1998; so had the one hanging over the lake. Otherwise ‘Where am I?’ I asked the Yellow Lady and the nodding Japanese lanterns. Then a better question occurred to me. ‘When am I?’ No answer. ‘It’s a dream, isn’t it? I’m in bed and dreaming.’ Somewhere out in the brilliant, gold-sparkling net of the lake, a loon called. Twice. Hoot once for yes, twice for no, I thought. Not a dream, Michael. I don’t know exactly what it is spiritual time-travel, maybe but it’s not a dream. ‘Is this really happening?’ I asked the day, and from somewhere back in the trees, where a track which would eventually come to be known as Lane Forty-two ran toward a dirt road which would eventually come to be known as Route 68, a crow cawed. Just once. I went to the birch hanging over the lake, slipped an arm around it (doing it lit a trace memory of slipping my hands around Mattie’s waist, feeling her dress slide over her skin), and peered into the water, half-wanting to see the drowned boy, half-fearing to see him. There was no boy there, but something lay on the bottom where he had been, among the rocks and roots and waterweed. I squinted and just then the wind died a little, stilling the glints on the water. It was a cane, one with a gold head. A Boston Post cane. Wrapped around it in a rising spiral, their ends waving lazily, were what appeared to be a pair of ribbons white ones with bright red edges. Seeing Royce’s cane wrapped that way made me think of high-school graduations, and the baton the class marshal waves as he or she leads the gowned seniors to their seats. Now I understood why the old crock hadn’t answered the phone. Royce Merrill’s phone-answering days were all done. I knew that; I al so knew I had come to a time before Royce had even been born. Sara Tidwell was here, I could hear her singing, and when Royce had been born in 1903, Sara had already been gone for two years, she and her whole Red-Top family. ‘Go down, Moses,’ I told the ribbon-wrapped cane in the water. ‘You bound for the Promised Land.’ I walked on toward the sound of the music, invigorated by the cool air and rushing wind. Now I could hear voices as well, lots of them, talking and shouting and laughing. Rising above them and pumping like a piston was the hoarse cry of a sideshow barker: ‘Come on in, folks, hurr-ay, hurr-ay, hurr-ay! It’s all on the inside but you’ve got to hurr-ay, next show starts in ten minutes! See Angelina the Snake-Woman, she shimmies, she shakes, she’ll bewitch your eye and steal your heart, but don’t get too close for her bite is poy-son! See Hando the Dog-Faced Boy, terror of the South Seas! See the Human Skeleton! See the Human Gila Monster, relic of a time God forgot! See the Bearded Lady and all the Killer Martians! It’s on the inside, yessirree, so hurr-ay, hurr-ay, hurr-ay!’ I could hear the steam-driven calliope of a merry-go-round and the bang of the bell at the top of the post as some lumberjack won a stuffed toy for his sweetie. You could tell from the delighted feminine screams that he’d hit it almost hard enough to pop it off the post. There was the snap of. 22s from the shooting gallery, the snoring moo of someone’s prize cow . . . and now I began to smell the aromas I have associated with county fairs since I was a boy: sweet fried dough, grilled onions and peppers, cotton candy, manure, hay. I began to walk faster as the strum of guitars and thud of double basses grew louder. My heart kicked into a higher gear. I was going to see them perform, actually see Sara Laughs and the Red-Tops live and on stage. This was no crazy three-part fever-dream, either. This was happening right now, so hurr-ay, hurr-ay, hurr-ay. The Washburn place (the one that would always be the Bricker place to Mrs. You read "Bag of Bones CHAPTER TWENTY-ONE" in category "Essay examples" M.) was gone. Beyond where it would eventually be, rising up the steep slope on the eastern side of The Street, was a flight of broad wooden stairs. They reminded me of the ones which lead down from the amusement park to the beach at Old Orchard. Here the Japanese lanterns were lit in spite of the brightness of the day, and the music was louder than ever. Sara was singing ‘Jimmy Crack Corn.’ I climbed the stairs toward the laughter and shouts, the sounds of the Red-Tops and the calliope, the smells of fried food and farm animals. Above the stairhead was a wooden arch with WELCOME TO FRYEBURG FAIR WELCOME TO THE 20TH CENTURY printed on it. As I watched, a little boy in short pants and a woman wearing a shirtwaist and an ankle-length linen skirt walked under the arch and toward me. They shimmered, grew gauzy. For a moment I could see their skeletons and the bone grins which lurked beneath their laughing faces. A moment later and they were gone. Two farmers one wearing a straw hat, the other gesturing expansively with a corncob pipe appeared on the Fair side of the arch in exactly the same fashion. In this way I understood that there was a barrier between The Street and the Fair. Yet I did not think it was a barrier which would affect me. I was an exception. ‘Is that right?’ I asked. ‘Can I go in?’ The bell at the top of the Test Your Strength pole banged loud and clear. Bong once for yes, twice for no. I continued on up the stairs. Now I could see the Ferris wheel turning against the brilliant sky, the wheel that had been in the background of the band photo in Osteen’s Dark Score Days. The framework was metal, but the brightly painted gondolas were made of wood. Leading up to it like an aisle leading up to an altar was a broad, sawdust-strewn midway. The sawdust was there for a purpose; almost every man I saw was chewing tobacco. I paused for a few seconds at the top of the stairs, still on the lake side of the arch. I was afraid of what might happen to me if I passed under. Afraid of dying or disappearing, yes, but mostly of never being able to return the way I had come, of being condemned to spend eternity as a visitor to the turn-of-the-century Fryeburg Fair. That was also like a Ray Bradbury story, now that I thought of it. In the end what drew me into that other world was Sara Tidwell. I had to see her with my own eyes. I had to watch her sing. Had to. I felt a tingling as I stepped beneath the arch, and there was a sighing in my ears, as of a million voices, very far away. Sighing in relief? Dismay? I couldn’t tell. All I knew for sure was that being on the other side was different the difference between looking at a thing through a window and actually being there; the difference between observing and participating. Colors jumped out like ambushers at the moment of attack. The smells which had been sweet and evocative and nostalgic on the lake side of the arch were now rough and sexy, prose instead of poetry. I could smell dense sausages and frying beef and the vast shadowy aroma of boiling chocolate. Two kids walked past me sharing a paper cone of cotton candy. Both of them were clutching knotted hankies with their little bits of change in them. ‘Hey kids!’ a barker in a dark blue shirt called to them. He was wearing sleeve-garters and his smile revealed one splendid gold tooth. ‘Knock over the milk-bottles and win a prize! I en’t had a loser all day!’ Up ahead, the Red-Tops swung into ‘Fishin Blues.’ I’d thought the kid on the common in Castle Rock was pretty good, but this version made the kid’s sound old and slow and clueless. It wasn’t cute, like an antique picture of ladies with their skirts held up to their knees, dancing a decorous version of the black bottom with the edges of their bloomers showing. It wasn’t something Alan Lomax had collected with his other folk songs, just one more dusty American butterfly in a glass case full of them; this was smut with just enough shine on it to keep the whole struttin bunch of them out of jail. Sara Tidwell was singing about the dirty boogie, and I guessed that every overalled, straw-hatted, plug-chewing, callus-handed, clod-hopper-wearing farmer standing in front of the stage was dreaming about doing it with her, getting right down to where the sweat forms in the crease and the heat gets hot and the pink comes glimmering through. I started walking in that direction, aware of cows mooing and sheep blatting from the exhibition barns the Fair’s version of my childhood Hi-Ho Dairy-O. I walked past the shooting gallery and the ringtoss and the penny-pitch; I walked past a stage where The Handmaidens of Angelina were weaving in a slow, snakelike dance with their hands pressed together as a guy with a turban on his head and shoepolish on his face tooted a flute. The picture painted on stretched canvas suggested that Angelina on view inside for just one tenth of a dollar, neighbor would make these two look like old boots. I walked past the entrance to Freak Alley, the corn-roasting pit, the Ghost House, where more stretched canvas depicted spooks coming out of broken windows and crumbling chimneys. Everything in there is death, I thought . . . but from inside I could hear children who were very much alive laughing and squealing as they bumped into things in the dark. The older among them were likely stealin g kisses. I passed the Test Your Strength pole, where the gradations leading to the brass bell at the top were marked BABY NEEDS HIS BOTTLE, SISSY, TRY AGAIN, BIG BOY, HE-MAN, and, just below the bell itself, in red: HERCULES! Standing at the center of a little crowd a young man with red hair was removing his shirt, revealing a heavily muscled upper torso. A cigar-smoking carny held a hammer out to him. I passed the quilting booth, a tent where people were sitting on benches and playing Bingo, the baseball pitch. I passed them all and hardly noticed. I was in the zone, tranced out. ‘You’ll have to call him back,’ Jo had sometimes told Harold when he phoned, ‘Michael is currently in the Land of Big Make-Believe.’ Only now nothing felt like pretend and the only thing that interested me was the stage at the base of the Ferris wheel. There were eight black folks up there on it, maybe ten. Standing at the front, wearing a guitar and whaling on it as she s ang, was Sara Tidwell. She was alive. She was in her prime. She threw back her head and laughed at the October sky. What brought me out of this daze was a cry from behind me: ‘Wait up, Mike! Wait up!’ I turned and saw Kyra running toward me, dodging around the strollers and gamesters and midway gawkers with her pudgy knees pumping. She was wearing a little white sailor dress with red piping and a straw hat with a navy-blue ribbon on it. In one hand she clutched Strickland, and when she got to me she threw herself confidently forward, knowing I would catch her and swing her up. I did, and when her hat started to fall offi caught it and jammed it back on her head. ‘I taggled my own quartermack,’ she said, and laughed. ‘Again.’ ‘That’s right,’ I said. ‘You’re a regular Mean Joe Green.’ I was wearing overalls (the tail of a wash-faded blue bandanna stuck out of the bib pocket) and manure-stained workboots. I looked at Kyra’s white socks and saw they were homemade. I would find no discreet little label reading Made in Mexico or Made in China if I took off her straw hat and looked inside, either. This hat had been most likely Made in Motton, by some farmer’s wife with red hands and achy joints. ‘Ki, where’s Mattie?’ ‘Home, I guess. She couldn’t come.’ ‘How did you get here?’ ‘Up the stairs. It was a lot of stairs. You should have waited for me. You could have carrot me, like before. I want to hear the music.’ ‘Me too. Do you know who that is, Kyra?’ ‘Yes,’ she said, ‘Kito’s mom. Hurry up, slowpoke!’ I walked toward the stage, thinking we’d have to stand at the back of the crowd, but they parted for us as we came forward, me carrying Kyra in my arms the lovely sweet weight of her, a little Gibson Girl in her sailor dress and ribbon-accented straw hat. Her arm was curled around my neck and they parted for us like the Red Sea had parted for Moses. They didn’t turn to look at us, either. They were clapping and stomping and bellowing along with the music, totally involved. They stepped aside unconsciously, as if some kind of magnetism were at work here ours positive, theirs negative. The few women in the crowd were blushing but clearly enjoying themselves, one of them laughing so hard tears were streaming down her face. She looked no more than twenty-two or -three. Kyra pointed to her and said matter-of-factly: ‘You know Mattie’s boss at the liberry? That’s her nana.’ Lindy Briggs’s grandmother, and fresh as a daisy, I thought. Good Christ. The Red-Tops were spread across the stage and under swags of red, white, and blue bunting like some time-travelling rock band. I recognized all of them from the picture in Edward Osteen’s book. The men wore white shirts, arm-garters, dark vests, dark pants. Son Tidwell, at the far end of the stage, was wearing the derby he’d had on in the photo. Sara, though . . . ‘Why is the lady wearing Mattie’s dress?’ Kyra asked me, and she began to tremble. ‘I don’t know, honey. I can’t say.’ Nor could I argue it was the white sleeveless dress Mattie had been wearing on the common, all right. On stage, the band was smoking through an instrumental break. Reginald ‘Son’ Tidwell strolled over to Sara, feet ambling, hands a brown blur on the strings and frets of his guitar, and she turned to face him. They put their foreheads together, she laughing and he solemn; they looked into each other’s eyes and tried to play each other down, the crowd cheering and clapping, the rest of the Red-Tops laughing as they played. Seeing them together like that, I realized that I had been right: they were brother and sister. The resemblance was too strong to be missed or mistaken. But mostly what I looked at was the way her hips and butt switched in that white dress. Kyra and I might be dressed in turn-of-the-century country clothes, but Sara was thoroughly modern Millie. No bloomers for her, no petticoats, no cotton stockings. No one seemed to notice that she was wearing a dress that stopped above her knees that she was all but naked by the standards of this time. And und er Mattie’s dress she’d be wearing garments the like of which these people had never seen: a Lycra bra and hip-hugger nylon panties. If I put my hands on her waist, the dress would slip not against an unwet-coming corset but against soft bare skin. Brown skin, not white. What do you want, sugar? Sara backed away from Son, shaking her ungirdled, unbustled fanny and laughing. He strolled back to his spot and she turned to the crowd as the band played the turnaround. She sang the next verse looking directly at me. ‘Before you start in fishin you better check your line. Said before you start in fishin, honey, you better check on your line. I’ll pull on yours, darling, and you best tug on mine.’ The crowd roared happily. In my arms, Kyra was shaking harder than ever. ‘I’m scared, Mike,’ she said. ‘I don’t like that lady. She’s a scary lady. She stole Mattie’s dress. I want to go home.’ It was as if Sara heard her, even over the rip and ram of the music. Her head cocked back on her neck, her lips peeled open, and she laughed at the sky. Her teeth were big and yellow. They looked like the teeth of a hungry animal, and I decided I agreed with Kyra: she was a scary lady. ‘Okay, hon,’ I murmured in Ki’s ear. ‘We’re out of here.’ But before I could move, the sense of the woman I don’t know how else to say it fell upon me and held me. Now I understood what had shot past me in the kitchen to knock away the CARLADEAN letters; the chill was the same. It was almost like identifying a person by the sound of their walk. She led the band to the turnaround once more, then into another verse. Not one you’d find in any written version of the song, though: ‘I ain’t gonna hurt her, honey, not for all the treasure in the world’. Said I wouldn’t hurt your baby, not for diamonds or for pearls Only one black-hearted bastard dare to touch that little girl.’ The crowd roared as if it were the funniest thing they’d ever heard, but Kyra began to cry. Sara saw this and stuck out her breasts much bigger breasts than Mattie’s and shook them at her, laughing her trademark laugh as she did. There was a parodic coldness about this gesture . . . and an emptiness, too. A sadness. Yet I could feel no compassion for her. It was as if the heart had been burned out of her and the sadness which remained was just another ghost, the memory of love haunting the bones of hate. And how her laughing teeth leered. Sara raised her arms over her head and this time shook it all the way down, as if reading my thoughts and mocking them. Just like jelly on a plate, as some other old song of the time has it. Her shadow wavered on the canvas backdrop, which was a painting of Fryeburg, and as I looked at it I realized I had found the Shape from my Manderley dreams. It was Sara. Sara was the Shape and always had been. No, Mike. That’s close, but it’s not right. Right or wrong, I’d had enough. I turned, putting my hand on the back of Ki’s head and urging her face down against my chest. Both her arms were around my neck now, clutching with panicky tightness. I thought I’d have to bull my way back through the crowd they had let me in easily enough, but they might be a lot less amenable to letting me back out. Don’t fuck with me, boys, I thought. You don’t want to do that. And they didn’t. On stage Son Tidwell had taken the band from E to G, someone began to bang a tambourine, and Sara went from ‘Fishin Blues’ to ‘Dog My Cats’ without a single pause. Out here, in front of the stage and below it, the crowd once more drew back from me and my little girl without looking at us or missing a beat as they clapped their work-swollen hands together. One young man with a port-wine stain swimming across the side of his face opened his mouth at twenty he was already missing half his teeth and hollered ‘Yee-HAW!’ around a melting glob of tobacco. It was Buddy Jellison from the Village Cafe, I realized . . . Buddy Jellison magically rolled back in age from sixty-eight to eighteen. Then I realized the hair was the wrong shade light brown instead of black (although he was pushing seventy and looking it in every other way, Bud hadn’t a single white hair in his head). This was Buddy’s grandfather, maybe even his great-grandfather. I didn’t give a shit either way. I only wanted to get out of here. ‘Excuse me,’ I said, brushing by him. ‘There’s no town drunk here, you meddling son of a bitch,’ he said, never looking at me and never missing a beat as he clapped. ‘We all just take turns.’ It’s a dream after all, I thought. It’s a dream and that proves it. But the smell of tobacco on his breath wasn’t a dream, the smell of the crowd wasn’t a dream, and the weight of the frightened child in my arms wasn’t a dream, either. My shirt was hot and wet where her face was pressed. She was crying. ‘Hey, Irish!’ Sara called from the stage, and her voice was so like Jo’s that I could have screamed. She wanted me to turn back I could feel her will working on the sides of my face like fingers but I wouldn’t do it. I dodged around three farmers who were passing a ceramic bottle from hand to hand and then I was free of the crowd. The midway lay ahead, wide as Fifth Avenue, and at the end of it was the arch, the steps, The Street, the lake. Home. If I could get to The Street we’d be safe. I was sure of it. ‘Almost done, Irish!’ Sara shrieked after me. She sounded angry, but not too angry to laugh. ‘You gonna get what you want, sugar, all the comfort you need, but you want to let me finish my bi’ness. Do you hear me, boy? Just stand clear! Mind me, now!’ I began to hurry back the way I had come, stroking Ki’s head, still holding her face against my shirt. Her straw hat fell off and when I grabbed for it, I got nothing but the ribbon, which pulled free of the brim. No matter. We had to get out of here. On our left was the baseball pitch and some little boy shouting ‘Willy hit it over the fence, Ma! Willy hit it over the fence!’ with monotonous, brain-croggling regularity. We passed the Bingo, where some woman howled that she had won the turkey, by glory, every number was covered with a button and she had won the turkey. Overhead, the sun dove behind a cloud and the day went dull. Our shadows disappeared. The arch at the end of the midway drew closer with maddening slowness. ‘Are we home yet?’ Ki almost moaned. ‘I want to go home, Mike, please take me home to my mommy.’ ‘I will,’ I said. ‘Everything’s going to be all right.’ We were passing the Test Your Strength pole, where the young man with the red hair was putting his shirt back on. He looked at me with stolid dislike the instinctive mistrust of a native for an interloper, per-haps and I realized I knew him, too. He’d have a grandson named Dickie who would, toward the end of the century to which this fair had been dedicated, own the All-Purpose Garage on Route 68. A woman coming out of the quilting booth stopped and pointed at me. At the same moment her upper lip lifted in a dog’s snarl. I knew that face, too. From where? Somewhere around town. It didn’t matter, and I didn’t want to know even if it did. ‘We never should have come here,’ Ki moaned. ‘I know how you feel,’ I said. ‘But I don’t think we had any choice, hon. We ‘ They came out of Freak Alley, perhaps twenty yards ahead. I saw them and stopped. There were seven in all, long-striding men dressed in cutters’ clothes, but four didn’t matter those four looked faded and white and ghostly. They were sick fellows, maybe dead fellows, and no more dangerous than daguerreotypes. The other three, though, were real. As real as the rest of this place, anyway. The leader was an old man wearing a faded blue Union Army cap. He looked at me with eyes I knew. Eyes I had seen measuring me over the top of an oxygen mask. ‘Mike? Why we stoppin?’ ‘It’s all right, Ki. Just keep your head down. This is all a dream. You’ll wake up tomorrow morning in your own bed.’ †Kay.’ The jacks spread across the midway hand to hand and boot to boot, blocking our way back to the arch and The Street. Old Blue-Cap was in the middle. The ones on either side of him were much younger, some by maybe as much as half a century. Two of the pale ones, the almost-not-there ones, were standing side-by-side to the old man’s right, and I wondered if I could burst through that part of their line. I thought they were no more flesh than the thing which had thumped the insulation of the cellar wall . . . but what if I was wrong? ‘Give her over, son,’ the old man said. His voice was reedy and implacable. He held out his hands. It was Max Devore, he had come back, even in death he was seeking custody. Yet it wasn’t him. I knew it wasn’t. The planes of this man’s face were subtly different, the cheeks gaunter, the eyes a brighter blue. ‘Where am I?’ I called to him, accenting the last word heavily, and in front of Angelina’s booth, the man in the turban (a Hindu who perhaps hailed from Sandusky, Ohio) put down his flute and simply watched. The snake-girls stopped dancing and watched, too, slipping their arms around each other and drawing together for comfort. ‘Where am I, Devore? If our great-grandfathers shit in the same pit, then where am I?’ ‘Ain’t here to answer your questions. Give her over.’ ‘I’ll take her, Jared,’ one of the younger men-one of those who were really there said. He looked at Devore with a kind of fawning eagerness that sickened me, mostly because I knew who he was: Bill Dean’s father. A man who had grown up to be one of the most respected elders in Castle County was all but licking Devore’s boots. Don’t think too badly of him, Jo whispered. Don’t think too badly of any of them. They were very young. ‘You don’t need to do nothing,’ Devore said. His reedy voice was irritated; Fred Dean looked abashed. ‘He’s going to hand her over on his own. And if he don’t, we’ll take her together.’ I looked at the man on the far left, the third of those that seemed totally real, totally there. Was this me? It didn’t look like me. There was something in the face that seemed familiar but ‘Hand her over, Irish,’ Devore said. ‘Last chance.’ ‘No.’ Devore nodded as if this was exactly what he had expected. ‘Then we’ll take her. This has got to end. Come on, boys.’ They started toward me and as they did I realized who the one on the end the one in the caulked treewalker boots and flannel loggers’ pants reminded me of: Kenny Auster, whose wolfhound would eat cake ’til it busted. Kenny Auster, whose baby brother had been drowned under the pump by Kenny’s father. I looked behind me. The Red-Tops were still playing, Sara was still laughing, shaking her hips with her hands in the sky, and the crowd was still plugging the east end of the midway. That way was no good, anyway. if I went that way, I’d end up raising a little girl in the early years of the twentieth century, trying to make a living by writing penny dreadfuls and dime novels. That might not be so bad . . . but there was a lonely young woman miles and years from here who would miss her. Who might even miss us both. I turned back and saw the jackboys were almost on me. Some of them more here than others, more vital, but all of them dead. All of them damned. I looked at the towhead whose descendants would include Kenny Auster and asked him, ‘What did you do? What in Christ’s name did you men do?’ He held out his hands. ‘Give her over, Irish. That’s all you have to do. You and the woman can have more. All the more you want. She’s young, she’ll pop em out like watermelon seeds.’ I was hypnotized, and they would have taken us if not for Kyra. ‘What’s happening?’ she screamed against my shirt. ‘Something smells! Something smells so bad! Oh Mike, make it stop!’ And I realized I could smell it, too. Spoiled meat and swampgas. Burst tissue and simmering guts. Devore was the most alive of all of them, generating the same crude but powerful magnetism I had felt around his great-grandson, but he was as dead as the rest of them, too: as he neared I could see the tiny bugs which were feeding in his nostrils and the pink corners of his eyes. Everything down here is death, I thought. Didn’t my own wife tell me so? They reached out their tenebrous hands, first to touch Ki and then to take her. I backed up a step, looked to my right, and saw more ghosts some coming out of busted windows, some slipping from redbrick chimneys. Holding Kyra in my arms, I ran for the Ghost House. ‘Get him!’ Jared Devore yelled, startled. ‘Get him, boys! Get that punk! Goddamnit!’ I sprinted up the wooden steps, vaguely aware of something soft rubbing against my cheek Ki’s little stuffed dog, still clutched in one of her hands. I wanted to look back and see how close they were getting, but I didn’t dare. If I stumbled ‘Hey!’ the woman in the ticket booth cawed. She had clouds of gingery hair, makeup that appeared to have been applied with a garden-trowel, and mercifully resembled no one I knew. She was just a carny, just passing through this benighted place. Lucky her. ‘Hey, mister, you gotta buy a ticket!’ No time, lady, no time. ‘Stop him!’ Devore shouted. ‘He’s a goddam punk thief! That ain’t his young ‘un he’s got! Stop him!’ But no one did and I rushed into the darkness of the Ghost House with Ki in my arms. Beyond the entry was a passage so narrow I had to turn sideways to get down it. Phosphorescent eyes glared at us in the gloom. Up ahead was a growing wooden rumble, a loose sound with a clacking chain beneath it. Behind us came the clumsy thunder of caulk-equipped loggers’ boots rushing up the stairs outside. The ginger-haired carny was hollering at them now, she was telling them that if they broke anything inside they’d have to give up the goods. ‘You mind me, you damned rubes!’ she shouted. ‘That place is for kids, not the likes of you!’ The rumble was directly ahead of us. Something was turning. At first I couldn’t make out what it was. ‘Put me down, Mike!’ Kyra sounded excited. ‘I want to go through by myself!’ I set her on her feet, then looked nervously back over my shoulder. The bright light at the entryway was blocked out as they tried to cram in. ‘You asses!’ Devore yelled. ‘Not all at the same time! Sweet weeping Jesus!’ There was a smack and someone cried out. I faced front just in time to see Kyra dart through the rolling barrel, holding her hands out for balance. Incredibly, she was laughing. I followed, got halfway across, then went down with a thump. ‘Ooops!’ Kyra called from the far side, then giggled as I tried to get up, fell again, and was tumbled all the way over. The bandanna fell out of my bib pocket. A bag of horehound candy dropped from another pocket. I tried to look back, to see if they had got themselves sorted out and were coming. When I did, the barrel hurled me through another inadvertent somersault. Now I knew how clothes felt in a dryer. I crawled to the end of the barrel, got up, took Ki’s hand, and let her lead us deeper into the Ghost House. We got perhaps ten paces before white bloomed around her like a lily and she screamed. Some animal something that sounded like a huge cat hissed heavily. Adrenaline dumped into my bloodstream and I was about to jerk her backward into my arms again when the hiss came once more. I felt hot air on my ankles, and Ki’s dress made that bell-shape around her legs again. This time she laughed instead of screaming. ‘Go, Ki!’ I whispered. ‘Fast.’ We went on, leaving the steam-vent behind. There was a mirrored corridor where we were reflected first as squat dwarves and then as scrawny ectomorphs with long white vampire features. I had to urge Kyra on again; she wanted to make faces at herself. Behind us, I heard cursing lumberjacks trying to negotiate the barrel. I could hear Devore cursing, too, but he no longer seemed so . . . well, so eminent. There was a sliding-pole that landed us on a big canvas pillow. This made a loud farting noise when we hit it, and Ki laughed until fresh tears spilled down her cheeks, rolling around and kicking her feet in glee. I got my hands under her arms and yanked her up. ‘Don’t taggle yer own quartermack,’ she said, then laughed again. Her fear seemed to have entirely departed. We went down another narrow corridor. It smelled of the fragrant pine from which it had been constructed. Behind one of these walls, two ‘ghosts’ were clanking chains as mechanically as men working on a shoe-factory assembly line, talking about where they were going to take their girls tonight and who was going to bring some ‘red-eye engine,’ whatever that was. I could no longer hear anyone behind us. Kyra led the way confidently, one of her little hands holding one of my big ones, pulling me along. When we came to a door painted with glowing flames and marked THIS WAY TO HADES, she pushed through it with no hesitation at all. Here red isinglass topped the passage like a tinted skylight, imparting a rosy glow I thought far too pleasant for Hades. We went on for what felt like a very long time, and I realized I could no longer hear the calliope, the hearty bong! of the Test Your Strength bell, or Sara and the Red-Tops. Nor was that exactly surprising. We must have walked a quarter of a mile. How could any county fair Ghost House be so big? We came to three doors then, one on the left, one on the right, and one set into the end of the corridor. On one a little red tricycle was painted. On the door facing it was my green IBM typewriter. The picture on the door at the end looked older, somehow faded and dowdy. It showed a child’s sled. That’s Scooter Larribee’s, I thought. That’s the one Devore stole. A rash of gooseflesh broke out on my arms and back. ‘Well,’ Kyra said brightly, ‘here are our toys.’ She lifted Strickland, presumably so he could see the red trike. ‘Yeah,’ I said. ‘I guess so.’ ‘Thank you for taking me away,’ she said. ‘Those were scary men but the spookyhouse was fun. Nighty-night. Stricken says nighty-night, too.’ It still came out sounding exotic tiu like the Vietnamese word for sublime happiness. Before I could say another word, she had pushed open the door with the trike on it and stepped through. It snapped shut behind her, and as it did I saw the ribbon from her hat. It was hanging out of the bib pocket of the overalls I was wearing. I looked at it a moment, then tried the knob of the door she had just gone through. It wouldn’t turn, and when I slapped my hand against the wood it was like slapping some hard and fabulously dense metal. I stepped back, then cocked my head in the direction from which we’d come. There was nothing. Total silence. This is the between-time, I thought. When people talk about ‘slipping through the cracks,’ this is what they really mean. This is the place where they really go. You better get going yourself, Jo told me. If you don’t want to find yourself trapped here, maybe forever, you better get going yourself. I tried the knob of the door with the typewriter painted on it. It turned easily. Behind it was another narrow corridor more wooden walls and the sweet smell of pine. I didn’t want to go in there, something about it made me think of a long coffin, but there was nothing else to do, nowhere else to go. I went, and the door slammed shut behind me. Christ, I thought. I’m in the dark, in a closed-in place . . . it’s time for one of Michael Noonan’ s world-famous panic attacks. But no bands clamped themselves over my chest, and although my heart-rate was high and my muscles were still jacked on adrenaline, I was under control. Also, I realized, it wasn’t entirely dark. I could only see a little, but enough to make out the walls and the plank floor. I wrapped the dark blue ribbon from Ki’s hat around my wrist, tucking one end underneath so it wouldn’t come loose. Then I began to move forward. I went on for a long time, the corridor turning this way and that, seemingly at random. I felt like a microbe slipping through an intestine. At last I came to a pair of wooden arched doorways. I stood before them, wondering which was the correct choice, and realized I could hear Bunter’s bell faintly through the one to my left. I went that way and as I walked, the bell grew steadily louder. At some point the sound of the bell was joined by the mutter of thunder. The autumn cool had left the air and it was hot again stifling. I looked down and saw that the biballs and clodhopper shoes were gone. I was wearing thermal underwear and itchy socks. Twice more I came to choices, and each time I picked the opening through which I could hear Bunter’s bell. As I stood before the second pair of doorways, I heard a voice somewhere in the dark say quite clearly: ‘No, the President’s wife wasn’t hit. That’s his blood on her stockings.’ I walked on, then stopped when I realized my feet and ankles no longer itched, that my thighs were no longer sweating into the longjohns. I was wearing the Jockey shorts I usually slept in. I looked up and saw I was in my own living room, threading my way carefully around the furniture as you do in the dark, trying like hell not to stub your stupid toe. I could see a little better; faint milky light was coming in through the windows. I reached the counter which separates the living room from the kitchen and looked over it at the waggy-cat clock. It was five past five. I went to the sink and turned on the water. When I reached for a glass I saw I was still wearing the ribbon from Ki’s straw hat on my wrist. I unwound it and put it on the counter between the coffee-maker and the kitchen TV. Then I drew myself some cold water, drank it down, and made my way cautiously along the north-wing corridor by the pallid yellow glow of the bathroom nightlight. I peed (you-rinated, I could hear Ki saying), then went into the bedroom. The sheets were rumpled, but the bed didn’t have the orgiastic look of the morning after my dream of Sara, Mattie, and Jo. Why would it? I’d gotten out of it and had myself a little sleepwalk. An extraordinarily vivid dream of the Fryeburg Fair. Except that was bullshit, and not just because I had the blue silk ribbon from Ki’s hat. None of it had the quality of dreams on waking, where what seemed plausible becomes immediately ridiculous and all the colors both those bright and those ominous fade at once. I raised my hands to my face, cupped them over my nose, and breathed deeply. Pine. When I looked, I even saw a little smear of sap on one pinky finger. I sat on the bed, thought about dictating what I’d just experienced into the Memo-Scriber, then flopped back on the pillows instead. I was too tired. Thunder rumbled. I closed my eyes, began to drift away, and then a scream ripped through the house. It was as sharp as the neck of a broken bottle. I sat up with a yell, clutching at my chest. It was Jo. I had never heard her scream like that in our life together, but I knew who it was, just the same. ‘Stop hurting her!’ I shouted into the darkness. ‘Whoever you are, stop hurting her!’ She screamed again, as if something with a knife, clamp, or hot poker took a malicious delight in disobeying me. It seemed to come from a distance this time, and her third scream, while just as agonized as the first two, was farther away still. They were diminishing as the little boy’s sobbing had diminished. A fourth scream floated out of the dark, then Sara was silent. Breathless, the house breathed around me. Alive in the heat, aware in the faint sound of dawn thunder. How to cite Bag of Bones CHAPTER TWENTY-ONE, Essay examples

Foils Of Hamlet Essay Example For Students

Foils Of Hamlet Essay the foils of hamlet In his plays, Shakespeare often puts the antagonists in circumstances similar to or resembling the problems of the main character or hero. He does this in order to give us a clear perception of what the characters are like, through contrast or similarity between them. These literary experiments are called foils. In Hamlet, Shakespeare gives us many foils for Hamlet, the main character. One major foil is Ophelia. Hamlet and Ophelia have both lost their fathers. In the beginning of the play it seems that Hamlet is mourning too much and over reacting, but when Ophelia loses her father it makes Hamlet’s mourning seem subtle. Ophelia is very affected by her father’s death and it eventually leads to a factor in her insanity and death. This changes the way we look at Hamlet and Ophelia. Another foil for Hamlet is Polonius, Laertes’ and Ophelia’s father. Hamlet and Polonius are both very quick to speak or and lash out in excitement. Both of them have made major mistakes because of this unwanted trait. Hamlet has, on many occasions, spoken too quickly or acted out of rage or ignorance and hurt himself and others. When Polonius spies on Hamlet and the Queen, Hamlet thinks that it is the king who is spying behind the curtain, and without knowing who it really is he stabs Polonius and kills him. Polonius also has the same problem, but with much tamer results. Polonius usually ends up just making himself sound like a babbling fool by not thinking things out first. He never really hurt anyone and his slaying by Hamlet’s sword makes Hamlet seem more the fool. This foil gives Hamlet the image of a violent person that doesn’t know how to control his emotions, and in this instance he almost becomes the antagonist. Hamlet also has foils that aren’t as close to him. Like the young Fortinbras, the nephew to the king of Norway. Fortinbras’ father, the king was killed, and his uncle, the king’s brother took over the crown. The exact same thing happened to Hamlet. Both countries also have a prince who feels that they were robbed from the crown. Fortinbras, in contrast to Hamlet, takes an active role in Norway’s leadership. In act IV scene 4, he leads an army on to Poland. He also does this because he want’s to avenge his father’s death by taking what he believes to be rightfully his. Hamlet spends most of his time sulking or complaining, and it makes him seem a little spoiled and cowardly, as if he doesn’t want to face the world. He keeps his plot for revenge a secret. In somewhat the same manner Laertes is a foil to Hamlet. He too seeks revenge for his father’s death, and does it very openly. He goes as far as getting a mob together supporting him to be king. It seems radical but it probably would have been better for Hamlet to go about things this way. If he hadn’t kept it in the castle a lot of bad things wouldn’t have happened. Hamlet could have saved a lot of trouble if he went about things the way Laertes did, but then we would have a boring play. Another thing for Hamlet and Laertes is their love for Ophelia. Obviously they are completely different kinds of love, but both are extremely strong. Laertes cares greatly for his sister and gives her strong advice concerning her and Hamlet. He warns her against keeping a relation with him, showing that he doesn’t like Hamlet. After Ophelia rejects Hamlet, his love dies off and he gets pale and sickly, showing how much he cared for her. It is strange that both these characters care so much for Ophelia but hate each other to death. When Ophelia dies, both are shocked and enraged. .u5ac325f229d06b4c4513f3cec0e81aef , .u5ac325f229d06b4c4513f3cec0e81aef .postImageUrl , .u5ac325f229d06b4c4513f3cec0e81aef .centered-text-area { min-height: 80px; position: relative; } .u5ac325f229d06b4c4513f3cec0e81aef , .u5ac325f229d06b4c4513f3cec0e81aef:hover , .u5ac325f229d06b4c4513f3cec0e81aef:visited , .u5ac325f229d06b4c4513f3cec0e81aef:active { border:0!important; } .u5ac325f229d06b4c4513f3cec0e81aef .clearfix:after { content: ""; display: table; clear: both; } .u5ac325f229d06b4c4513f3cec0e81aef { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5ac325f229d06b4c4513f3cec0e81aef:active , .u5ac325f229d06b4c4513f3cec0e81aef:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5ac325f229d06b4c4513f3cec0e81aef .centered-text-area { width: 100%; position: relative ; } .u5ac325f229d06b4c4513f3cec0e81aef .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5ac325f229d06b4c4513f3cec0e81aef .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5ac325f229d06b4c4513f3cec0e81aef .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5ac325f229d06b4c4513f3cec0e81aef:hover .ctaButton { background-color: #34495E!important; } .u5ac325f229d06b4c4513f3cec0e81aef .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5ac325f229d06b4c4513f3cec0e81aef .u5ac325f229d06b4c4513f3cec0e81aef-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5ac325f229d06b4c4513f3cec0e81aef:after { content: ""; display: block; clear: both; } READ: Child Abuse Essay In the end at her burial they both end up jumping into Ophelia’s grave and fighting each other over her dead body. Their extreme love for her and profound hate for each other is almost a mystery. Laertes also, like his father, has the same rashness and spontaneity as Hamlet. There are many, many foils throughout this play, some completely obvious, and some scarcely noticeable. In â€Å"Hamlet†, Hamlet has a foil with almost ever other character in it. Foils greatly enrich all literature and tell us much more than meets the eye about a specific character and the decisions they make. Literary Phenomena like this make great stories masterpieces.